You Are What You Eat

You are what you eat:
a thing with nine feet
that lives in the garden
and calls itself Pete.

You are what you eat:
a green three-piece suite
that plays you at cards
and knows when you cheat.

You are what you eat:
an oily bed sheet
that's been in the army
and smells of minced meat.

You are what you eat:
a pile of concrete
that's covered in spiders
and lives on the street.

You are what you eat.
Yes, you, Marguerite.
I've seen you at midnight.
You're not so discreet.

You are what you eat.
I shall not repeat.
Go look in the mirror
and that's your receipt.

Seven Innovative and Low-cost Ways of Marketing your Book

1. Put it in the tray when going through security at the airport. Explain to the guards that it's absolutely not a risk to national security whatsoever.
2. Turn the title into a cheerful well-wishing, e.g. 'Have a glassy day, worldians!' or 'Upwards and out of the darkness, my friends!'
3. Strap a copy to your chest when shopping, touching it occasionally and uttering a sound of religious devotion like 'whoopiteewoo'.
4. Pretend to read it at the bus stop, laughing and crying uncontrollably before telling fellow passengers that this book has changed your life.
5. Paper your bathroom with it, then invite friends to a meal at your house and slip a diuretic or laxative into their food.
6. Get a parrot from the pet shop, teach it to say the best lines from your book, then return it to the pet shop complaining that it keeps spouting nonsense.
7. Pulp it and use it to fill potholes because that's how roads read books.

Three Additional Writing Prompts for Uneasy Fiction

At last, three more writing prompts for those weird, unsettling stories you've been dying to tell.

1. With but one score to settle in all your long years, you pass away. Stars swirl. You are reincarnated as a creature with two heads. The other head is occupied by the person you detested in your last life. Your thoughts and identity are mingled with theirs. What happens? How does it feel to be one with and inseparable from this awful person? How does the situation resolve itself?

2. Awakening from a revolting dream, you leap out of your bed unable to believe what you felt. You look at the bed. It seems normal. You touch it. It feels like writhing maggots. With disgust, you tear off your pyjamas. They feel the same. All touch has infected with this horrible effect. What do you do? How do you live?

3. Entering a covered market complete with fruit stalls, children's cheap clothing and a whole slaughtered pig bearing an expression of hideous anguish, you hear a voice, "Hey, you've been before. Don't you remember? It was horrible! You shouldn't be here! Get away! Run!" You stare at the pig's twisted face in silent horror and then turn and bolt, but the voice doesn't stop whispering. Finally, you summon the courage to speak back. What do you say?

I hope those disturbing thoughts help you on your way! By all means comment or e-mail me with the result! You can see my other writing prompts for uneasy fiction by clicking here.

Get Rich or Die Trying!

Do you see him? The bloke in the cap and overalls. No, not him. Actually, that's a woman. But don't worry. Easy mistake to make. We all look the same down 'ere. No, the one with the empty wheelbarrow, lining up to go down the tunnel. Yeah, him. Bearded, red eyed. Yep. That's how it is. He's waiting for all this lot to come out. String of, what, eight, nine folks coming out with their barrows full of that grey-brown awful-smelling sludge. That one whose sludge is a quivering heap all the way up to his neck. That, ladies and gents, is today's gold star winner. He's gonna get one of the high-up boxes. He'll have to climb up there, mind, at the end of this bloody long shift that lasts every day from infancy till death.

Anyway, there I go. Tunnel's clear now. It's even darker in there than the rest of this place, but at least there's no buttons. You see, all those grey slabs that make up the walls. Sorta four metre square, regular as regiments, all the way up. You look up and your eye can follow the dark in-between lines all the way to heaven. In fact, they actually seem to converge at some point somewhere south of heaven, but you see how high up it goes. Or - more accurately - that's how far down we are. It could even have been a huge pyramid that we're in except that then no light would get down here and some does bounce all the way down here. Get stuck it does. The light goes into your brain and sticks there, becomes part of you, never gets out. Nothin' ever gets out of here, mass or wave form.

I'm out the tunnel now, see how I'm looking at the slabs. Each one's a button. Look carefully and you'll see that pale pattern on it is not just weatherin', it's a symbol. Press the right symbols in the right order, bingo, sludge time. Fill your barrow. Earn a few more points. Me, I always go with wavy lines, hash symbol, triangle, circle, inequality sign, plus, plus, upside-down exclamation mark. Found a few variations that worked, and a few that occasionally pumped out more sludge than I usually get, but this is the one that worked for me most consistently. There I am pushing in the huge square faces of the blocks, more 'n double my height. Some of them are really tight, hard to press in. You feel like you're actually liftin' the whole thing and forcin' it back. Don't tell me we're not strong, despite the revolting stuff they call food here.

Right, but once you've got it pushed in, as I have there, I don't know if they meant it like this, but then you can just about get your fingers and toes in the gap and climb up. How? You learn by falling. You learn by failing. That's the only way. Fall from a low height's my advice. Break a leg on your first day. You won't make it. Dunno what happens to them. They just lie on the dirty sludgy concrete floor screaming and then whimpering for the rest of the day. In the morning - gone. Must come in the night and drag 'em off, I suppose. F'r all I know, they use these same barrows to do it. Imagine. The same broken-wheeled thing I drag around, day after day, could be the same damn thing that drags me off when I'm all finished and done. Who knows what creatures does it either? Dunno if it's creepier to think there's some white-faced night creature to sweep up the human debris, or if it's folk like us what does it.

I'm the first in this section. Others are going past me down other tunnels to other spaces. I'm always glad when I don't have to go down there though. The piles of skulls and bones really get to you. Especially if you know who some of them were. Memento mori's one thing, but seeing yourself in that heap of bones offers no insight nor hope. So I have the space to myself except for those who's climbing up over my head to get at buttons they want on the third or fourth level. Climb like monkeys, they do. Having said so, the shoes they give us is just like a leather bag. Like ballet slippers. Wearin' boots'd be no good. How you supposed to climb in steel toe caps? Anyways, eventually I get all my buttons pressed in, and I feel the tremor before I hear it. "Pipe!" I shout to claim it and pretty much expertly get my barrow turned around probably less than a second before the flap opens on one of the terracotta pipes that stick out the wall, and glorious filthy muck fills my wheelbarrow up, piles right up, wobbling in that obscene way that it does. Nice! You can see that's a nice barrow! You can even see a grim look of satisfaction on my face if you look through all the shadow and hair.

Then I wheelie the thing around careful of folks in a rush coming the other way. We’ve all done it. You ready your barrow full of stinking muck thinking this could be the very one that opens a nice high hatch for you, and some wild barrower comes the other way not seeing anything and clang, there’s two barrows all over the floor and your muck is glugging and bubbling away down one of the little barred drains. Scoop it up with your hands. The one that knocked into you might even help if they don’t pull up their barrow and run off in shame and fear, but by the time you’ve scraped up as much as will stay in your hands, all the pleasure, all the satisfaction has gone, and you’re empty, and your barrow might as well be. However, this is not what the next moments have for me to live, and I’m able to get my barrow back through the tunnel to the tipping place, that great dark mouth in the corner guzzling up yards and yards of slime, just as we guzzle up whatever pathetic trickle it is that life has for us. And then I turn around, and I go back.

Course, I’m looking up to see if one of the huge buttons has come unlatched from the wall. Look at him. I mean me, of course. It’s just that, while I’m outside of myself, looking back, I see another man, so it’s him, even though it’s me. Anyway, you can see from my posture that I’ve been at this a long screed of time, more than eight hours, maybe nine. And I do this every day. I’ve been doing it every day for, well, I’ve counted eight full moons, put it that way. When the door comes unlatched, you scramble up the wall, like I said, toes and fingertips clamped into the tiny grooves between the buttons. None of these cracks would ever hold your full weight, so you have to keep moving. Each one is a pivot, and you can only use the toeholds and fingerholds by moving your weight around them and past them. It’s a real upward scuttle, and after nine, sometimes ten hours of barrowing, it’s a true wonder that any human body can do such a thing, but the final reward, a bed and a meal in a dark, quiet room and time enough to sleep; these are everything after a long shift.

Nothing yet, though, so I’ve to go on barrowing. I’d joke that it could drive you mad, but let me tell you a story about a fellow barrower, no name of course, but he bore the code of X-967-T on his overall, and I suppose that he had the same characters in tattoo because I do, and god knows there’s nothing to separate me from anyone else in this pit other than how much suffering I can take before I go the same way as that poor bastard. Well, X-967-T came to me, one day, early enough in my shift, and I think the beginning of his. His eyes were gold with excitement, and he was saying “This is it. I’m going to get rich. I had a dream. I had a dream. I know the code. Come and watch.” I said to him, “967, don’t do it. I know what you’ve dreamed, and I know what’s up there. Don’t go up there. Don’t go.” But he was already too far gone. Riches and success had filled the vacuum where his ruined soul used to be, so I put down my barrow and watched him scale the wall, hugging himself tight to it, and forcing in this button and that on his way up the wall, zig-zagging upwards between them. I saw his code started square, padlock, wheel, duck’s foot, at symbol, but I lost track after that due to the foreshortening of the higher buttons and weakness of memory. He was just going up and up, yelling, “I’m going to be rich. You can be rich too, 512. Just do what I do! Watch this! I’m going to have a big car and a mansion.” When he was high enough up to look small up there, one of the buttons came unlatched, way up high where I’ve never seen anyone get a bed, so he yanked on it and pulled, and the door came swinging out with him on it. He clambers over the top of it, and looks in. “Oh, my god,” he says, “This is it. I’m rich!” Well, just as has happened before, it wasn’t a pile of money that tipped out, but a lot of white skinny legs with a great big mask of a face amidst it all, a huge skull-like face, and it grabs him and stuffs him into its mouth, and he screams, “I’m doing it! I’m doing it! I’m getting rich! Aaaarrghgh! I’m going to get a trophy wife! Aaaeeeeeeeee! And a private jet! Aaaaagghghh!” And that’s it. He can’t say anymore. The thing has eaten his head. Bits of 967 fall down and land on top of some of the other barrowers, hair and skin and blood, and they just brush it off and keep barrowing, and then someone says, “Happens at least once a moon, that does, stupid bastard,” and I’m not even sure if it’s me who spoke or someone else.

On Being Drunk

Water has a million voices.

It splashes, pours, patters, flushes,

Babbles, roars, makes other noises.

Sometimes it gurgles; sometimes it rushes.

And sometimes water's in my glass,

And when I put it to my lip,

I can smell its ocean mass,

And if I'm feeling brave, I sip.

And then the water's moving through me,

Trickling, foaming, bubbling, sloshing,

I am become a river valley,

The water passes through me, frothing.

But soon the water will be gone,

And I'll be here, my valley dry.

All because I must cling on,

With water simply passing by.

But if I could just let go,

And travel down toward the sea,

And mingle there with melted snow,

And leave the solid body-me,

I'd soon rise up, evaporate,

And then I would become a cloud,

I'd thunder, drift and cumulate.

Oh, how I wish it were allowed!

'Cos if I could, I'd next be rain.

I'd slash and torrent, precipitate,

I could make buses aquaplane,

The floods and landslides I'd create!

But all too soon, I'd be scooped up,

And channelled fast to someone's tub,

And wash some hair or get brewed up,

Make up juice in someone's pub.

And in a chair, I'd find myself,

Really not the worse for wear,

For having touched an ocean shelf,

How nice, in fact, to be bodily there.

Yes, maybe life is not so dire,

My mind and body aren't so numb.

It's not to be water that I aspire,

It's just that aqueous momentum!

The Sack of Dirt

Upon hearing that one would 'eat a peck of dirt before they die', a man purchased a large sack of earth, placed it in his wheelbarrow and carried it everywhere with him. Each day, he measured the contents to ensure that none had somehow escaped from the sack and got into his food. Each day, he confirmed that the sack remained full.

A year passed, and the sack was no emptier than when he'd bought it. He felt great elation that he, a simple man, had solved the problem of mortality so cheaply and so easily. He realised that, with this simple trick, he could live forever. He told no one of his discovery, but many noticed his beaming happiness as he went about his modest business.

As the years passed, he grew older and his hair went grey and his skin became wrinkly, but still the sack was full, so he didn't worry about death or mortality. In fact he remained blithe and generous for he could give away nothing of which there was not an infinitude.

After a few more years, he became sick and bed ridden. Friends and relatives visited to whom he cheerfully explained that this was temporary, and he'd soon get better. They admired his sense of humour and asked him if he had any last words. He responded by asking if a river had last words. No, it does not, he said, when they could not answer him. It goes down to the sea, rises into the clouds and falls again in the mountains. So the river is not in need of last words.

His friends continued to look dumbfounded, so he told them to go and inspect the sack of dirt in his wheelbarrow and tell him if it was at its limit of contents. They duly did so and reported that indeed the sack was full. There you go then, said the old man, I have not eaten my peck, and so I am not yet to die. But you are old and frail and lying in your death bed, they complained. Clearly your time has come.

No, I am not to die, he replied, beaming at them all, don't you see? They looked at his old, grey face, and still they did not know what to say. Imperturbed, he rested his eyes and there, still smiling, his breath grew fainter and fainter until, finally, there was none.

The man's funeral, testament to his spiritual and material generosity, was well-attended. In her eulogy, the minister, who had known him well, mentioned that the man had been known to carry a sack of dirt with him everywhere he went, that he'd believed that, while it remained full, he would never die, and that this was the secret of his happiness and his success.

Understanding at last this curious fact, the mourners had a statue of the man made, and now he stands on a plinth in the centre of the town. Every day, with the stone-hewn sack of dirt in his sculpted wheelbarrow, he smiles down on the people of that town. The tale of his happiness and kindness is passed down from generation to generation. And so it seems, that in the hearts of the townspeople who love him, he shall never die.

The Thrill of the Case – Part Three

Read part one and part two of The Thrill of the Case.

'Any success with the upgrade?' he further enquired.

'Mmm. Tricky one that, but old Nik knocked it out the park with a juicy new data set. While she was devouring all that lovely new info, she didn't seem to mind having her brain slightly reorganised,’ said the silver mop, bouncing with enthusiasm.

'Ah, foxy old Nik!' approved Everarck.

'Foxy old Nik with the hilarious face, you mean?'

'Oh, forget that! I was just upset about dropping these stupid e-mails on the floor.'

'I'll take that as an apology. Anything else I can help you with, young man?'

'Not really.'

'Hmmm? Yes or no?'

'No, I mean yes. I mean – have you seen that ad in the paper, “Are you so sexy, it should be illegal?”’

‘Goodness me, no. What kind of newspaper is this? It sounds a bit … top shelfian.’

‘No, the free thing on the bus.’

‘Ah, the illustrious Free Gazette!’

‘That’s the one! There was an ad in it yesterday. I thought it was interesting.’

‘Mmhmm.’

‘The Court of Public Opinion. You can… you just have to ring them up and apply for a law and then they, I think they arrest you and you have to, you have to prove you’re innocent.’

Nik’s face had slowly appeared from behind the sickly coloured screens. Two green eyes scorched Everarck from within a mass of wrinkled liver pink.

‘What are you blithering about?’

Everarck’s free hand patted his shirt pocket pointlessly.

‘I haven’t got it with me,’ he complained.

‘You are referring to your sanity, I take it,’ said Nik, looking over his shoulder before swiftly disappearing behind his machinery.

‘Oh, I checked my sanity in with HR when I started this job.’

Nik coughed. Everarck turned to find the short but undeniable image of Surd Fleeting examining something on the far wall.

‘As a general point of interest, the lawyer is in the reception area and seems to be waiting to be served,’ said the director in soft but resonant tones.

‘Oh, right, okay!’ exclaimed Everarck, simultaneously trying to bustle through the door while also attempting to permit Surd passage through the narrow space at the doorway, one carefully contrived to keep visitors to a minimum.

‘A lawyer!’ thought Everarck toing and froing dancingly around Surd as the short, stout man strode through his choreography, ‘I’ll ask him about the Court of Public Opinion! He’s probably very busy, but he might be able to tell me something about it!’ and the unsummoned image of a slim, severe and infinitely patient man blossomed in his mind.

He breathed with relief as the unheard computer fans were cut off as the door shut. He looked up and saw a young woman in an unembellished black jacket and red lipstick. He saw her as a rose in a vase and, as one does not speak to roses, he was not immediately able to speak. She watched him with curiosity as he entered the reception area with as much of an air of diffidence as he could muster.

‘Would I be able to assist you, madam?’ he asked, noting with discomfort that the question was several levels more polite than the one he’d asked the woman with the curly mop of hair and the pink cardigan twenty minutes previously.

‘I hope that you would,’ she said with a smile, ‘Is Ms. Lemender present?’

‘Yes, I believe so.’

‘This is it,’ he thought, ‘This is my moment to ask her. No lead-in required. She’s standing right there, and she’s smiling at me! All I have to do is say, “By the way” or “Incidentally” and I’m in! Committed!’

But at that moment he looked to his right and saw the monolithic form of Chariot Lemender descending the stairs with purpose.

‘She’s on her way,’ sighed Everarck and sat down at the desk.

Pushing both of the narrow double doors open, Chariot entered the reception area and the glow of her gaze fell upon the lawyer. The sound of the double doors slamming shut seemed to take place in another world.

The chief executive was indeed a towering woman in a severe grey skirt, thick framed glasses and a pearl necklace. Her look was intelligent, humorous leaning towards ironic, hungry. To Everarck, she was a lighthouse, the grey skirt the very rocks of which her beam-like gaze warned. But in this lighthouse were not merely a spiral staircase and bare brick walls, but a whole glistening library, organised in teak shelving. And so she summoned and warned off at once, stoked curiosity and dread.

‘Sobian! Thank you for coming!’ she declared as though speaking to a roomful of people, ‘How long have you been waiting?’

‘A minute,’ she said.

‘I’m so sorry. Mr., em, Fanger must have been busy. You have a lot of plates to spin, don’t you, Mr. Fanger?’

‘One or two,’ shrugged Everarck, immediately cursing himself for the implied dissent.

‘Don’t worry about signing in. Mr. Fanger will deal with that,’ said Chariot, standing to one side so that the lawyer was denied all moves but that of progressing into the field.

And then the event of the morning was walking away from him through the double doors and up the stairs, and Everarck was left wondering whether the initiative had been snatched from his fingers or whether he had allowed it to fall.

Read part 4 of The Thrill of the Case.

The Thrill of the Case – Part Two

Read part one of The Thrill of the Case.

At work the following day, Everarck sat in the horseshoe of the reception desk, doing such a marvellous impression of someone who was not the receptionist, perhaps a technician surveying the receptionist's equipment in their absence: phone, switchboard, computer, guestbook, pen, cash drawer, corporate agenda, complaint forms; that not one of the visitors found themselves able to approach him for help for eight and a half unbroken minutes.

However, even the white golf club baseball cap, incompetently Windsor-knotted tie and oblique, uncomfortable posture could not indefinitely suppress the idea that this small-framed man with squashed facial features might be able to perform the most basic tasks of a receptionist - with effort. And perhaps a little support.

To his credit, Everarck maintained the impression of not really being the receptionist but graciously prepared to stand in for them, fumbling with systems he knew intimately and lathering his instructions with mights and maybes, until the last of the visitors had disappeared into the labyrinth of the back offices or gone home.

At this point, Everarck wrote, 'Back in 5 mins. Pls wait or leave a msg' with a marker on a sheet of scrap paper, which he placed next to the guestbook, and left with a pile of emails which he had printed out according to corporate policy.

In truth, his pretence of not being the receptionist had some basis in fact. The company did not have a receptionist, and Everarck's job description specified little more than that he competently assist the director and put to rest a minimum of 40 hours per week on the premises. However, that the flexibility of Everarck's role and the official vacuum of services in the reception area provided him a permanent mooring point in the organisation had been so powerfully implied by the director, the stone-faced and permanently sleep-deprived Surd Fleeting, that Everarck had not had the will to resist. Few would have.

He took the meticulously compiled sheaf of papers towards the IT room and attempted to open the door with his two unoccupied fingers but succeeded only in opening the stiff door and spilling the papers directly from his guts in one great floe across the IT room's becabled floor.

'Well done, young man,' rumbled the only person there, a man whose thick hair in several shades of shining grey was the only part of him visible behind a variety of box-shaped machines the colour of rancid cream, 'That is by far the funniest thing to happen today.'

'Apart from looking at yourself in the mirror, Nik,' replied Everarck to Nichomachus, stooping to pick up the papers and slather them into a single jumbled pile.

'Don't be rude. You'll upset MARIA.'

Everarck knew that MARIA was how Nik identified the seemingly alert core of the interlocking databases that defined his professional sandbox.

'How is she today?'

'Temperamental,' replied Nik with a hollow laugh, 'She still hasn't forgiven me for my little holiday to Lake Solemn without her.'

Everarck was briefly caught up in the dream of a woman who would miss him when he was gone. But he was holding Zagonella to an impossible standard. He never went anywhere.

Read part 3 of The Thrill of the Case.

The Thrill of the Case – Part One

It had all begun, thought Everarck, with an advert in one of those newspapers circulated by bus seat. The advert had been entitled Court of Public Opinion and its text had read as follows.

Are you so sexy it should be illegal? Do others call you a criminal snob? Now you can take them to the Court of Public Opinion and prove them wrong – or right! Call us now on 0800-ARREST-ME to register the law you could be guilty of breaking.

It was as though someone had been following Everarck’s thoughts for the previous 24 hours and known that he would plant his eyes on that particular corner of the free paper. Only last night had Everarck been accused by Zagonella, his girlfriend of 12 years, of intellectual vanity.

‘You only read that book because you want people to think you’re clever,’ she’d said, referring to the copy of Writing and Difference at which he’d been staring, glassy eyed, for ten minutes.

‘I am clever,’ he’d snapped and turned a crisp page.

‘That’s not the point.’

And it was as she’d said the word ‘point’ that he’d felt he was falling all the way to the plosive ‘t’. He’d been silent for a moment, quietly turned the page back again and then rallied.

‘So you think I am clever?’

She’d rolled her eyes then and gone back to her book, which was pink. He detested pink and couldn’t believe she read it in public. It was even worse that she should find it more interesting than him. Nevertheless, he’d gone to sleep, and when he woke up, she was gone, and the bedroom was cold, and there was streaky condensation on the bedroom window, which was framed by nasty, cheap curtains that he hated.

If he’d had any sense, he thought, he’d have become a lawyer and be living in the Barbados for half the year by now. He imagined gazing down at the Pacific Ocean from the purple mountains of the Barbados, sighed, and went and ate some Flax Puffs with brown sugar.

And then he’d seen that advert on the bus, and it was like everything had come together. He’d thought about it all day, at least when he wasn’t wondering why Zagonella hadn’t texted him. In the evening, Zagonella still wasn’t home.

‘Double shifts at the hospital,’ he’d tutted, eaten some microwaveable macaroni cheese, carefully cut out the advert, sat on the toilet reading it several times, put his pyjamas on, sat on the bed, stared at the receiver of the phone as though it were a portal to pandemonium, read the blurb on the Derrida book and then, at thirteen minutes past six, called the number on the advert, rocking backwards and forwards with the book clamped between his knees until it clicked and the tone changed.

‘The Court of Public Opinion is waiting for your call between 8 AM and 6 PM, Monday to Saturday. Alternatively, leave a message and we’ll call you back.’

‘Hello, my name’s Everarck, Mister Everarck Fanger BSc (Hons). I’m calling because everyone says I think I’m smart, I mean my girlfriend says I want people to think I’m smart, but I’m not, I mean I don’t. I mean obviously it’s nice if someone recognises my efforts to be intelligent, but I don’t need that. I don’t know if you can help me. If not, don’t worry about it. But if you can, here’s my number.’

He'd given his number twice and hung up, put the advert in the Derrida book, watched some TV and gone to bed, waking briefly when Zagonella slipped into bed beside him at some unnameable hour of the night.

Read part 2 of The Thrill of the Case.

Three More Writing Prompts for Uneasy Fiction

Just a short post this week to give myself time to make progress with my manuscript, working title: Generic. I hope these will give you some ideas for weird or eerie fantasy fiction. Go ahead and write your response in the comments!

1. You awaken to find that your flesh has become translucent, and you can see your blood, bones and organs within yourself. Trapped in your stomach, you notice three small artefacts. What are they? What will occur as your body attempts to digest these strange artefacts?

2. Walking through a graveyard, you notice an open grave with a coffin inside, so you climb into the coffin and lie there. Passersby stop and stare silently. You find that, with a little concentration, you can hear their thoughts. What are they thinking? How long will you lie there?

3. While reading a strange book bequeathed to you by a relative you never met, you notice a peculiar smell. You get up and begin to trace the odour to its source. What will you find when you get there? Are the book and the odour connected and, if so, how?

See you again next week for more fiction or other ideas about writing!

Three Writing Prompts for Uneasy Fiction

Are you looking for inspiration for your next eerie short story? If so, I hope these odd writing prompts will get you started. By all means, share your ideas in the comments below. Alternatively, write your story in a dusty old notebook and then hide it in a deposit box in a hastily dug hole in the forest.

1. You dream of a besuited man in a desert looking away from you. No matter how you turn or call him, he is always facing away from you. What's going on? What does it mean?

2. As you leave your urban home, a pigeon shit lands on the concrete directly in front of you in a shape that reminds you of the happiest day of your life. What does it look like? What happens next?

3. As you are rummaging through the bins of your local park, looking for something to eat, you find a small metal box covered in strange runes. From within, a deafening silence emanates. What is it? What do you do with it?

Come back soon for more creepy writing prompts or one of my own short stories.